When I first realized I liked girls, I was only ten years old. I had been watching Teen Titans, a show on the Cartoon Network one Saturday morning when the character Starfire came on screen. She had bright red hair and an outrageously animated body, but the way her character spoke had made my chest feel warm.
Being a child, I shoved the feeling away to analyze at a later date, not being able to recognize how much that moment would shape my young life. The time for analysis never came. Instead, I worked my way through middle school, developing crushes on girls in my grade, but all the same shoving the infatuation away because of course, it was wrong. Unnatural. Afterall, it was Rose that fell in love with Jack, and it was Edward that fell in love with Bella and that’s just the way it was.
The way everything was.
Recently, however, the film Love, Simon has challenged this heterosexual status quo, the movie hitting theaters internationally, acting as a shock to the largely straight system of cinema. The film has earned mixed reviews from people both within and outside of the LGBT+ community. A majority of the reactions have been positive, celebrating the success of one of the first, widely released young adult films that features a gay protagonist.
However, some critics have picked the film apart, discrediting every cliche and dismissing every cheesy one liner, all the while posing the question of whether Love, Simon was necessary.
In a society completely saturated with films based around teen stereotypes, it surprises me that only now is the necessity of high school rom coms called into question. Films such as Fault in Our Stars, Twilight, and Ten Things I Hate About You, which all feature heterosexual, high school couples, have had the honor of becoming classics among the millennial generation.
Yet, now that a film of the same formula has taken the box office by storm with a gay main character, Hollywood has suddenly run out of ideas, repeating the same narrative and pandering to PC culture.
I understand the frustration with Hollywood’s monotony. Love, Simon is by no means a cinematic masterpiece. At times, the writing heavily relies on stereotypes audiences may be tired of, and the use of clichés sometimes pushes the narrative right over the line of cheesy. But that’s what makes Love, Simon so crucial in the fight for representation. Finally, the LGBT+ community has gotten their own Twilight, just… with less vampires and more rainbow motifs.
To give context to why a film like Love, Simon is so important, it’s necessary to understand the current state of LGBT+ cinema. As an example, one of the most popular movies ever to feature a gay couple is the French film Blue is the Warmest Color. The movie illustrates a relationship between a nervous 18-year-old named Adele and an older, free spirited woman named Emma, who is implied to be in her 30’s. Their relationship is taboo and secretive, which eventually causes a rift between them. Eventually, Adele is left behind by Emma, and, with the love of her life gone, Adele spirals into depression while her ex moves on to a more mature, stable relationship. To make matters, and the film as a whole, even worse, spliced between scenes of emotional manipulation and angst are vulgar, bordering on pornographic sex scenes between Adele and Emma.
These distressing themes are commonplace within LGBT+ films. Characters tend to either be hypersexualized or broken apart, a happy ending out of the question. For a young member of the LGBT+ community, it can be frightening to look towards the media for reassurance, only be told that the kinds of relationships you may be looking for can only end in tragedy. Love, Simon takes these thematic elements, these pornographic scenes, and flips them on their head, instead creating a sweet but inspiring tale that seeks to empower teenagers who are just starting to explore their identities and sexualities.
In fact, even members of the cast of Love, Simon themselves have been inspired by the film, the lead actor Keiynan Lonsdale, pictured left, coming out as queer just after shooting for the movie was wrapped. Reflecting on what it was like to play a closeted gay character, Lonsdale said to the Hollywood Reporter on March 16th, “Representation matters, and it’s just the truth. You watch something, and depending on how the story is told and how these characters feel to you, it influences your life, it influences how you feel about yourself and people that you meet.”*
Stories like Lonsdale’s unfold every day, kids coming out to their families and friends all the while never knowing exactly what kind of reaction they’ll get. Lonsdale acknowledges that he was lucky to come out in an environment that was so immediately accepting, though he admits that, regardless of knowing he’d be met with nothing but support, it was still a terrifying experience. Love, Simon was created with the purpose of quelling some of that inherent fear. By giving an honest, yet lighthearted look into the life of a gay teenager, Love, Simon has become an invaluable resource for queer kids who are terrified of making themselves known. Seeing the main character find peace in his own skin gives kids within the LGBT+ community an example to look towards, letting them hope for their own happy ending.
By Mimi Ottavi